De Nationale Opera presenteert
Saint or sinner
With its splendid choral movements, Wagner’s ‘romantische Oper’ Tannhäuser is a true ‘singers’ opera’. German conductor Marc Albrecht and German director Christof Loy have signed on both for this fresh staging.
Sacred and profane love
Tannhäuser is the story of a knight-poet who is unable to choose between sacred love (Elisabeth) and profane love (Venus). To oblige the Paris Jockey Club, Wagner opened the first act with a racy bacchanal for dancers.
Venus versus Elisabeth
Weary of Venus, Tannhäuser returns home to Saxony. But during a singing contest on ‘the nature of Love’, he praises Venus, shocking everyone present except the Landgrave Hermann’s niece, Elisabeth, who defends him. To make amends, Tannhäuser goes on a pilgrimage to Rome in hopes of a papal pardon. Unsuccessful, he decides to return to Venus, but finally finds redemption when the pious Elisabeth sacrifices her life as a peace offering to God.
From number opera to musical drama
For both Tannhäuser and his later Lohengrin, Richard Wagner drew on medieval songs, sagas and tales of courtly love. His narrative focuses on the rebellion of an artist whose desire to succumb to carnal lust engenders a conflict with his religious intellect; an inner dichotomy embodied by the two women he loves. Tannhäuser marks a key step in the progression from the number opera to the musical drama.
Tannhäuser is Christof Loy’s first Wagner opera presentation for DNO. Known for his meticulous productions, he is a frequent guest at Europe’s major opera houses and festivals. Loy is the recipient of the Musikpreis der Stadt Duisburg, a Laurence Olivier Award for Tristan und Isolde (ROH Covent Garden) and the International Opera Award 2017 for best director, and has been hailed as director of the year by Opernwelt three times now. At DNO, Loy impressed audiences with his productions of Les vêpres siciliennes, Arabella, Chovansjtsjina and La forza del destino.
After Die Meistersinger von Nürnberg, Parsifal, Lohengrin and Tristan und Isolde chief conductor Marc Albrecht adds a fifth Wagner title to his arsenal of DNO productions.
A leading performer of Tannhäuser, Daniel Kirch makes his debut at DNO. Among the cast are also familiar faces, including Stephen Milling (Fasolt in Das Rheingold) as Landgrave Hermann, Svetlana Aksenova (The Legend of the Invisible City of Kitezh en Pique Dame) as Elisabeth and Ekaterina Gubanova (Eboli in Don Carlo) as Venus.
NETHERLANDS PHILHARMONIC ORCHESTRA
Along with the Netherlands Chamber Orchestra, the Netherlands Philharmonic Orchestra has been the regular orchestra partner of Dutch National Opera since 1985, and is internationally regarded as one of the best opera orchestras. Each season, the two orchestras perform the majority of the opera productions in Dutch National Opera & Ballet. The Netherlands Philharmonic Orchestra gives a varied programme of concerts in the Concertgebouw and also performs at other major concert halls and festivals in the Netherlands and abroad. Marc Albrecht is the principal conductor of the Netherlands Philharmonic Orchestra|Netherlands Chamber Orchestra and of Dutch National Opera. In recent seasons, Netherlands Philharmonic Orchestra has had great success with audiences and international press alike, with productions including Gurre-Lieder, Lohengrin, Der Rosenkavalier, Il Trovatore and Hänsel und Gretel. The Netherlands Philharmonic Orchestra, conducted by Marc Albrecht, received an Edison for their recording of the DNO production Der Schatzgräber, in December 2014.
Christof Loy is a sought-after opera director. His extremely detailed productions have been performed at the major opera houses and festivals in Europe, including ROH Covent Garden, Deutsche Oper Berlin, Theater an der Wien, Gran Teatre del Liceu Barcelona, Bayerische Staatsoper, Opernhaus Zürich and the Salzburger Festspiele.
Marc Albrechtchief conductor
Marc Albrecht, Chief Conductor of The Dutch National Opera and The Netherlands Philharmonic Orchestra|The Netherlands Chamber Orchestra is known not only for his interpretations of works by Wagner and Richard Strauss, but also for his affinity for contemporary music.
'Don't miss this.' [...] 'Tannhäuser is an almost four-hour quivering' [...] 'This is one of those rare representations in which all parts reinforce each other.'
"The decor of Johannes Leiacker - a neoclassical hall that cleverly and beautifully exploits the width of the theatre - is an ideal stage for the choir of the opera, which glorifies in its monumental share."
"With this Tannhäuser, DNO has a trump card in its hands to look for opera houses that want to take over the production. A beautiful piece of work. It will be difficult this summer in Bayreuth to surpass it."
‘His dark tenor voice has ample volume and nice colors, and he is dramatically compelling.'
Team, Cast en Koor
- Marc Albrecht
- Stage Director, Choreography
- Christof Loy
- Set Designer
- Johannes Leiacker
- Costume Designer
- Ursula Renzenbrink
- Lighting Designer
- Olaf Winter
- Klaus Bertisch
- Netherlands Philharmonic Orchestra
- Dutch National Opera Chorus
- Chorus Master
- Ching-Lien Wu
- Hermann, Landgraf von Thüringen
- Stephen Milling / Karl-Heinz Lehner
- Daniel Kirch
- Wolfram von Eschenbach
- Björn Bürger
- Walther von der Vogelweide
- Attilio Glaser
- Kay Stiefermann
- Heinrich der Schreiber
- Lucas van Lierop - Dutch National Opera Studio
- Reinmar von Zweter
- Eric Ander
- Svetlana Aksenova
- Ekaterina Gubanova
- Ein junger Hirt
- Julietta Aleksanyan - Dutch National Opera Studio
- 4 Edelknaben
- Tomoko Makuuchi, Fang Fang Kong, Elsa Barthas en Itzel Medecigo